CoCA Seattle December 4th-February 21st

"Exodus Frog" Acrylic on canvas 2025

“Exodus Frog” captures a surreal moment of resistance, where inflatable costumed citizens subvert a narrative of fear. Intended as a spectacle of ICE-led intimidation across West Coast cities, the militarized incursion was met not with panic, but with vibrant, peaceful protest. Through playful costumes and public dancing, these citizens redefined the scene—transforming a show of force into a defiant celebration of joy, absurdity, and communal resilience.

Works done in 2025-2023

Supreme Cult (2025, large canvas)

A row of skeletal figures in robes loom across the canvas, their forms rigid yet brittle. This is no ceremony of justice but a hollow procession, where the guardians of law have abandoned their charge. Instead of defending the Constitution or upholding precedent, they bow to ideology, cozying up to deep pockets and foreign influence sanctioned by Citizens United. The chasm beneath them is not abstract — it is the country itself, fractured by their rulings, reshaped to serve power rather than people. What should be a bench of integrity has become a stage for corruption, a tribunal where democracy is dismantled in plain sight.

Dantean Descent (2024, large acrylic painting on board) 

This re‑imagining of Dante’s Inferno casts Trump as the guide leading a mass procession into hell. The descent unfolds through towering castles suspended above rivers of molten fire,  populated by skeletal enforcers driving his followers deeper into ruin. Authoritarians, theologians, televangelists, tech‑bro profiteers and mall shoppers follow Trump into a fiery oblivion. A monstrous, multi‑headed creature at the center—a psychic beast with outstretched tentacles, binding the crowd in a sermon of hatred, grievance and loathing of some "other". An unhoused Christ‑like figure lay outstretched at the bottom, unnoticed by passerby's. The painting exposes a spectacle of fanaticism and consumption, where power and faith collapse into grotesque ritual.

Supreme Shepherds" 2024 acrylic on canvas        

A tribunal of robed zealots presides over the dismantling of Roe v. Wade. Newly appointed justices stand center stage, not as defenders of law but as morality shepherds — multi-headed, armed with righteousness, and encircled by sycophants in a theological cocoon. This is no court of reason, but a medieval spectacle where ideology masquerades as justice. The skeletal procession and fractured ground beneath them reveal a nation reshaped by dogma, not precedent.

Thoughts and Prayers (2024, acrylic on board)

 A neon sign sits atop a vending machine stocked with guns and bibles in an elementary school. It may even flicker after each tragedy. What remains is a quiet horror: a space where safety has been traded for spectacle, and faith and firepower are dispensed as if they were snacks.

Modern Babel (2025, large acrylic on canvas)

This painting reimagines Bruegel’s Tower of Babel as a hybrid Trump Tower rising from a medieval, fractured world.

Hardly Sweating (2024, Gouache on paper)

A figure’s face glistens under harsh light, caught between bravado and collapse. The sweat becomes its own texture, streaking across the surface. An archetype of denial, the portrait captures a body straining to maintain composure while truth seeps through.

Porky Kickback ( 2024 gouache on paper)

A grotesque politician stands adorned with campaign donations worn like glittering medallions. Citizens United takes center stage.

Touched by Oblivion (2024, Gouache on paper)

The scene captures a collective loop of possession, where bodies become vessels for dopamine and cortisol, the collective consciousness dissolves into a trance of algorithmic  profit.

Family tied (2023, mixed media)

A contorted son bends into a spider-like pose, his body twisted under the weight of inherited fear. From his abdomen sprout elder figures—parasitic appendages knitting together worn-out narratives of the “other.” One grips his tie like horse reins. Knotted ropes and overlapping limbs form a tangled composition. The colors pulse between warmth and suffocation, suggesting a false familial relationship. Blood tied but emotionally distant. Based in fear rather authenticity.